柏林的迈克尔克莱因掉落重型5追踪EP第二州。作为第二州(Second State)厂牌的支柱,迈克尔·克莱因(Michael Klein)的旧专辑现在已经扩展到与柏林(Berlin)厂牌合作发行的11张。“黄金时间”是克莱恩经典的高能和多才多艺的贡献,有5个迷人的电子音乐轨道。揭幕战和主打歌“黄金时间”开始与踢,贝斯和打击乐器之间的强大协同作用。以控制的速度移动和上升,克莱因带来了不平衡的键和平滑的琶音。接下来是“Voice Interrupt”,它使用扭曲的旋律和音高扭曲来创造紧张但充满活力的能量。最小的摇床和一个单独的hi-hat添加到轨道的纹理,同时保持紧凑和有弹性的安排。《在我自己的眼睛里》的开头极简而柔和,旋转合成器的声音最终突破并掌控了局面。微妙的工业元素被使用,但隐藏在激振器下,在主合成器线的一个简短插曲中来到前线。接下来是“Howlip”,有统一的踢腿,hi-hat和锯齿形的合成器组合,整个舞蹈充满威胁。 A sample of the cut's name chimes in at varied volumes, at times battling against the main groove and recurring electro twinged synth. A driving and peak-time dance-floor weapon. The finale of the EP 'One Eyed Master' is dominated by piping, high-frequency keys that bubble under the main kick and sharp single hi-hat. Varying in intensity as the track drives on, the keys create a dystopian yet uneasy atmosphere. Klein again plays with the balance of percussion and pitch to manipulate the mood created in the track, an obvious theme and technique applied throughout the EP.